In my salad days as vulgarity correspondent—that is to say, a reporter on the disgusting ways in which young British people so often chose to behave—I was sent one year to the Glastonbury Festival. This is a large gathering of the British lumpenintelligentsia come to celebrate its own appalling taste in music, in a place vaguely associated with druidism, the healing chakras of the earth, Hopi ear candles, and that kind of thing: ideal, in other words, for people who claim to be spiritual but not religious.
The weather that year was terrible, with torrential rain that turned the fields in which the festival was held into a veritable sea of mud. I still have the Wellington boots that I bought, and needed, for the occasion. The rain turned out to be an enormous blessing: For insofar as it ruined the festival, it improved very slightly the average level of civilized behavior in the world and reduced noise pollution.
I had noticed before that rain improves the behavior of young British people: It discourages them from leaving their homes. Rain is also the best, almost the only, prophylaxis nowadays in Britain against crime. Every afternoon for many years I walked between the hospital and the prison, in both of which great institutions I worked. In fine weather, seven or eight parked cars en route would have been broken into, the shards of their smashed windows sparkling prettily in the gutter as the sun caught their facets. But in the rain, not a single car was ever broken into. From this I naturally concluded that the fundamental cause of crime in Britain was sunshine. The statistics were unarguable.
This year, unhappily, the weather at the Glastonbury Festival was fine, so that the lumpenintelligentsia was able to disport itself exactly as it wished. The crowd—I hesitate only slightly to call it the mob—was addressed by the man who might be Britain’s next prime minister, Jeremy Corbyn, whom it greeted like a rock star, which should have been enough to give any decent or sensible man pause. Among the worst of Mr. Corbyn’s vices, however, is his sincerity.
He enthused the massed ranks of youthful idealists by telling them that another world was possible: As indeed it was, for when they departed Glastonbury, they left behind them so much litter in this corner of rural England that it made a rubbish dump in Mexico City seem like Switzerland. I don’t think I have ever seen so much detritus left behind by a crowd of people anywhere in the world.
What was most intriguing to me was the fact that the crowd must have been contentedly wallowing in this rubbish for days on end, for it could hardly have accumulated in the last hour or two of the festival. Horrified no doubt by CO2 emissions and rising temperatures, they failed to notice what was about their very feet, and certainly did nothing about it. Indeed, they slept contentedly among it, too exhausted by their idealism and labors of licentiousness for them to apply their minds to anything as lowly as the litter that they dropped, as cows defecate in fields. It was for others to pick up their rubbish after them: That is what social justice required.
After a little reflection on this subject, I came to the conclusion that the most powerful intellectual influences on contemporary British youth are (appropriately enough) two women, one of them fictional and the other historical.
The first is Mrs. Jellyby, the telescopic philanthropist in Dickens’ Bleak House. Mrs. Jellyby, you will remember if you have read the book, desires to settle English families in Africa for their own good and for the good of the natives:
“You find me, my dears,” said Mrs. Jellyby, snuffing the two great office candles in tin candlesticks which made the room taste strongly of hot tallow (the fire had gone out, and there was nothing in the grate but ashes, a bundle of wood, and a poker), “you find me, my dears, as usual, very busy; but that you will excuse. The African project at present employs my whole time. It involves me in correspondence with public bodies, and with private individuals anxious for the welfare of their species all over the country. I am happy to say it is advancing. We hope by this time next year to have from a hundred and fifty to two hundred healthy families cultivating coffee and educating the natives of Borrioboola-Gha, on the left bank of the Niger.”
Meanwhile, her own children around her fall down the stairs, get their heads stuck between railings, and go hungry, all in conditions of the utmost dirt and disorder.
Dickens turns out to have been not so much a caricaturist, as he is often accused of having been, as a prophet. Mrs. Jellyby was but a single individual, but she was a forerunner of our own time, when mass concern for social justice and even the fate of the planet itself is combined, at least in British youth, with complete indifference to immediate surroundings.
The second great intellectual influence on modern British youth is, of course, Marie Antoinette, who, in playing shepherdess, adopted for a time the role of someone much below her in social class. In the same way, the lumpenintelligentsia plays at being prole, though never with the intention of remaining at the bottom rung of society for any length of time, let alone permanently (and certainly not economically), any more than Marie Antoinette wanted to shepherd sheep for the rest of her life. The problem is that when you play a part for long enough, that part, irrespective of your original intentions, becomes your true self, and you have no other. British youth are not alone in this, but they have gone further in self-proletarianization than any other youth that I know. Incidentally, in their imitation of the proles (which they think virtuous), they demonstrate how they really conceive of them: vulgar, dirty, coarse, and foulmouthed. Genuine proletarians are, or at least once were, not at all like this—not en masse, not as the lumpenintelligentsia now is.
So the Glastonbury Festival is a mass gathering not of youthful idealists, but of moral and intellectual hybrids of Marie Antoinette and Mrs. Jellyby. Half Jellyby, half Marie Antoinette: Such is the soul of modern British youth.
This post is not my authorship, please visit the original here: http://takimag.com/article/tattoo_much_theodore_dalrymple